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楼主: Souad

maybe请进!大家帮我顶一下。

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发表于 2007-3-23 20:14:38 | 显示全部楼层
原帖由 vanis 于 2007-3-23 08:10 PM 发表
兔子怎么没去聚会

我不知道啊,而且这几个礼拜忙得要死。。。。。。。。。
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发表于 2007-3-23 20:15:37 | 显示全部楼层
肯定是被他们甩了
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 楼主| 发表于 2007-3-23 20:31:48 | 显示全部楼层
兔子:“所有意识流的中文翻译都不可信,因为很难有人有那么高深的功力去翻译意识流,尤其是TS ELLIOT和WOOLF的。。。。。。。”

谢谢兔子,但是我导师专门研究意识流的作家,而且我自己非常喜欢这个流派的作家,因为我同样喜欢freud的作品。
他介意我去做woolf的recherche。
我认为在中国,lawrence的作品大家都比较熟悉。但是我本人更喜欢joyce的作品。事实上,除了joyce的《一个青年艺术家的自画像〉和《柏林人》,其他的《finnegans wake〉我想我根本就看不懂。
所以对joyce我肯定是写不出更多的东西的,如果我的阅历不能让我深入了解这个作家的话。

其次,woolf本来就是个女的,对我来说也许更容易研究。
但是我对她的作品不是非常熟悉,所以我必须大概了解这个意识流派的作家,然后在比较中得出我为什么听从了他的建议选择了woolf.
之前,我的阅读是没有体系可言,所以我急需补充,粗略形成一个体系。
我在周二之前要交给他一份粗略研究方向报告,然后周四见面探讨。
因为四月中旬是两个星期假日,过后我上课一个星期就结束了这个学期,如果我在下周四可以拿到他的offer,那我五月初就可以回国了。

周六我有一个考试,四月第一个星期一个考试,四月最后一个星期是大学的期末考试。
所以就忙死了,加上网络还不能用,一大早起来去麦当劳上网找资料,网络还不稳定。
哭……555555555555
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发表于 2007-3-23 20:45:40 | 显示全部楼层
原帖由 Souad 于 2007-3-23 08:31 PM 发表
兔子:“所有意识流的中文翻译都不可信,因为很难有人有那么高深的功力去翻译意识流,尤其是TS ELLIOT和WOOLF的。。。。。。。”

谢谢兔子,但是我导师专门研究意识流的作家,而且我自己非常喜欢这个流派的作 ...

JOYCE的天书能研究出东西来就是大家了哎。。。。。。。。。。
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 楼主| 发表于 2007-3-23 20:50:29 | 显示全部楼层
我这个导师把joyce和flaubert比较。
我昨天和他说起maupassant,我倒是觉得joyce和maupassant更好比较,呵呵……
不过我非常喜欢dubliners,在当代作家身上可以找到很多他的影子。
比如我认为的余华的《在细雨中呼喊》很多细节是模仿araby的。比如美国作家写的《洛丽塔》。
当然这是我的个人之见。
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 楼主| 发表于 2007-3-23 22:01:08 | 显示全部楼层
我去打工了。
大家帮我顶一下,谢谢。


maybe:给你发短信了,希望你能够收到。
我给你留了一个手机号码。

[ 本帖最后由 Souad 于 2007-3-23 10:03 PM 编辑 ]
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发表于 2007-3-23 22:32:17 | 显示全部楼层

随便找的几个评论,Virginia Woolf的,我再找找别的

·Editorial Reviews

From Publishers Weekly
Starred Review. It's wondrous to listen to a fine reading of a long-loved novel. Leishman makes masterly use of volume, timbre and resonance to distinguish between characters and draw us into the emotional swings and vibrations of the internal musings of each. She creates not a new but a more nuanced reading, following the interwoven streams of consciousness in a British English that lends authenticity to each voice. Leishman swims smoothly through Woolf's sentences that ebb and flow with numerous parenthetical thoughts and fresh images. These passages are interspersed with quick, sharp, simple sentences that gain strength in contrast. Leishman also draws our attention to Woolf's poetic prose: her rhythms and images, her use of hard consonants in monosyllabic words in counterpoint to long, soft, dreamy words and phrases. To The Lighthouse plays back and forth between telescopic and microscopic views of nature and human nature. Mrs. Ramsey is both trapped in and pleased in her roles as wife, mother and hostess. The introspective Mr. Ramsey is consumed with his legacy of long-since-published abstract philosophy. This is a book that cannot be read—or heard—too often. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

From AudioFile
Woolf's beautiful, if somber, 1927 novel falls into three parts. First is a scene of a large, complex family on summer holiday before the Great War, their guests, their servants, their belongings, their style of life, and a postponed day trip to the distant lighthouse, longed for by the youngest child, James. The second section deals with what happened next, to them and to England, and the last reassembles some of the remaining characters at the scene of the first, for the lighthouse trip, so changed from the one once anticipated. Phyllida Law's rhythmic, poetic reading renders it with finesse, though her reading of Mrs. Ramsey may not satisfy every reader's concept of the character. B.G. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.

Book Description

Subject of this extraordinary novel is the daily life of an English family in the Hebrides. “Radiant as [To the Lighthouse] is in its beauty, there could never be a mistake about it: here is a novel to the last degree severe and uncompromising. I think that beyond being about the very nature of reality, it is itself a vision of reality.”-Eudora Welty, from her Introduction.



Download Description
Virginia Woolf is one of the greatest novelists of the twentieth century, and To the Lighthouse is perhaps her crowning achievement. The story of the Ramsay family and the guests visiting their summer house in the Hebrides, Woolf? --This text refers to the Digital edition.

The Merriam-Webster Encyclopedia of Literature
Novel by Virginia Woolf, published in 1927. The work is one of her most successful and accessible experiments in the stream-of-consciousness style. The three sections of the book take place between 1910 and 1920 and revolve around various members of the Ramsay family during visits to their summer residence on the Isle of Skye in Scotland. A central motif of the novel is the conflict between the feminine and masculine principles at work in the universe. With her emotional, poetical frame of mind, Mrs. Ramsay represents the female principle, while Mr. Ramsay, a self-centered philosopher, expresses the male principle in his rational point of view. Both are flawed by their limited perspectives. A painter and friend of the family, Lily Briscoe, is Woolf's vision of the androgynous artist who personifies the ideal blending of male and female qualities. Her successful completion of a painting that she has been working on since the beginning of the novel is symbolic of this unification. --This text refers to the Audio Cassette edition.

Inside Flap Copy
One of the greatest literary achievements of the 20th century and the author's most popular novel. The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, together with their children and assorted guests are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life, and the conflict between male and female principles.

About the Author
Virginia Woolf was born in London in 1882. From 1915 onward, she maintained an astonishing output of fiction, literary criticism, essays and biography. She married Leonard Woolf and in 1917 they founded the Hogarth Press. She died in 1941.








·To the Lighthouse | Introduction
Printable VersionDownload PDFCite this Page
The 1927 publication of Virginia Woolf's To the Lighthouse was a landmark for both the author and the development of the novel in England. Usually regarded as her finest achievement, it won her the Prix Femina the following year, and gained her a reputation as one of Britain's most important living authors. Not only was it a critical success, it was popular too, selling in large quantities to a readership that encompassed a broad spectrum of social classes. Since Woolf's death in 1941, To the Lighthouse has risen in importance as a focus of criticism concerning issues of gender, empire, and class. Along with James Joyce's Ulysses, it continues to be heralded as a milestone in literary technique.

The complexity of Woolf's writing in To the Lighthouse has become almost proverbially intimidating, as suggested famously in the title of Edward Albee's 1962 play, Who's Afraid of Virginia Woolf? Written from multiple perspectives and shifting between times and characters with poetic grace, the novel is not concerned with plot. Instead, it paints a verbal picture of the members of the Ramsay family and their friends. In the first section, the character of Mrs. Ramsay is the lens through which most of the perspectives are focused, and her son's desire to go "to the Lighthouse" is the organizing impetus from which the picture takes shape. In the central section, the Lighthouse stands empty as the narrative marks the passage of time and the death of many of the characters. In the third and final section, with Mrs. Ramsay dead, the remaining family and friends finally get to the Lighthouse, and the novel becomes a meditation on love, loss, and creativity.
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发表于 2007-3-23 22:34:22 | 显示全部楼层
哎.发现自己是如此渺小
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发表于 2007-3-23 22:35:23 | 显示全部楼层

回复 #17 maybe2005 的帖子

眉筆回来了~~!
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发表于 2007-3-23 22:38:14 | 显示全部楼层
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